24 PAGES COLOR In Tokyo Japan there are celebrations over the last monster attack on the country. With the mecha, Otetsukun standing as a monument over the Giant Monster Museum & Expo Center which is now opening to the public. Special guests to appear at the museum are the American heroes known as the Fantastic Four who spent a better part of their earlier career fighting giant monsters. After the ribbon cutting ceremony the Fantastic Four are brought to the museum's curator Dr. Yamane who shows them around. He explains that the museum is a storehouse of Japans history dealing with giant monsters and displays the various creatures as well as the technology created to stop them. As they go on the tour, Dr. Yamane and Reed theorise that the emergence of super-heroes happened at the same time that the frequent monster attacks began to stop and suspect the two are closely related. The doctor takes them into another section of the museum where he displays various creatures that were created by the Japanese military as bio-weapons. This is fascinating to Mister Fantastic, but he also expresses his concerns over the ethics of doing such things. While Dr. Yamane assures them that everything is safe there is commotion in the other room. They go and see that it is women fawning over the arrival of Tony Stark, who has come to consider partnering Stark Enterprises with the museum. Tony is included along with the Fantastic Four's tour of the museum. They are brought to a room where Yamane shows off the possible benefits of bio-engineering monsters, such as creating new sources of food that will make Japan more independent as well as more competitive in the world market. While showing them the Fugushi, aquatic cow like creatures that produce milk, the Fantastic Four suddenly notice that the creatures are becoming aggressive even though Yamane assures them they are quite docile. Suddenly all the creatures contained in the museum go on a rampage and smash out of their pens and spill out into the streets of Tokyo.